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Location: 2, Nafsikas str., 49100 Kanoni Corfu island
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DISCOVER
Corfu, GReece
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The visitor that will wander around the city of Corfu, the suburbs, the communities and the greater area of the Municipality of Corfu, will have the chance to discover the 'dowry' that nature and man gave to Corfu. The 'Old City' recalls past ages;
the European influences are visible everywhere and harmoniously coexist, giving to the city a special color. There are no mosques and minarets in Corfu. No stamp of Asiatic occupation can be found on the island. Here that Europe meets Greece and the nature ungrudgingly spread hundreds the shades of green and blue, the Corfiot Civilization developed with significant particularities that make him stand apart. Maybe, in the high summer, the narrow streets of the city, named cantunia, are crowded, but for the visitor there is always a quiet place in the narrow alleys or under the shaded squares to enjoy a chilled ginger beer. The Corfiot housewives suspend their laundry over the streets and underneath, lost in the labyrinth of the alleys, the visitor discovers the workshops of silversmiths and woodcarvers. Palaces, fortresses, museums, libraries, galleries, churches, interesting public buildings and privet mansions, public, privet and archaeological sites, sites of natural and special interest, traditional houses, verdurous olive groves, picturesque ports and blue beaches make an unexpected puzzle on the area of the Municipality of Corfu, that lives speechless even the most demanding visitor. After the tour the visitor can taste the local cuisine in one of the many picturesque little-taverns of the city; he can buy, if he wants, a characteristic souvenir of the island, the shops stay open until late at night during the summer months. The tour may end with a visit at the famous bars and discotheques of Corfu, for an all-night carousal.
Enjoy your trip to
a glorious island!
GReek tourist guides |
Many Thanks
for the information
to the municipality of Corfu
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CORFU: THE NAME
OF THE ISLAND
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The name of the island The island was known by a variety of names
in ancient times. The oldest of these, Drepani (meaning ‘sickle’) and Makris (‘Long Island’) - designations that reflected the island’s shape - were linked to Greek mythology. Drepani is associated with the weapon Kronos used to kill his father, Uranus. Other names include Kassopaia, Argos and Keravna. Homer called the island Scheria (if we accept that Corfu is the same place as the celebrated island of the Phaeaceans, which he describes in the Odyssey). From the name of its inhabitants is derived the name Phaeakia. In modern Greek, the name Kerkyra has prevailed; it derives from the word Korkyra which comes from the Doric dialect spoken by the island’s inhabitants in antiquity. During the Middle Ages, it was known variously as Koryfo, Koryfi, Korfi, Korfoi and Corfu, probably named after the two fortified peaks of the mediaeval town. It is by the last of these names that the island is known today outside Greece.
| CORFU TRADITIONAL GASTRONOMY |
For 411 years Corfu was
a Venetian harbour, "key"
of the Adriatic was proudly named and it was only natural the passing ships to "leave
to the Corfiots many and teach them even more". During the century of Renaissance Venice was the European centre
of the trading of spices and sugar and distributed luxury and wealth all around Europe. As a consequence of the Venetian domination was the imposition of the Venetian cuisine and the Venetian way of cooking to the Corfiots.
The Venetians brought new products and taught the Corfiots how to eat them. Corn, tomatoes, beans, pepper, but also coffee, chocolate and many other products were brought to Corfu by the Venetians.
In a very short time, however, these new products were appreciated by the Corfiots and were thus incorporated in their daily diet, reaching our days almost inalterably. The present-day Corfiot cuisine has the typical Mediterranean characteristics (the common base is the olive oil, the vegetables, the pastas and many herbs and spices) exhibiting the different influences that the island was under. The cuisine of the city is clearly venetian. The cuisine of the countryside is based on the agricultural products that were cultivated simultaneously with the cultivation of the olives, which was imposed by the Venetians. Common characteristic of all Corfiot dishes is the tastefulness.
The food and particularly the bread, was always and still is well salted, because Corfu many saltworks and the salt was never absent from each household. After so many centuries the names of the Corfiot traditional dishes remain almost unchanged.
The emigrations of the Greeks from the mainland Greece, even after the Union, left almost no stamp in the local cuisine. The mass spreading
of classic Greek cuisine (which contained many influences from the Turkish conquerors) took place after the Second World War.
The almost heavenly look
of the Corfiot nature is due to the mild climate and the high percentage of humidity for
the Greek standards
(frequent rains from November until March). The Summer heat is moderated by the humidity (highest temperature in July 33oC). The summer afternoons a north-western wind, "maistros" blows, which rarely exceeds the 4 beafort power scale The Winters are unexpectedly mild and remind the southern places (mean lower temperature in Junary 10oC). During the winter-time southern winds prevail and their intensity is higher than
8 beafort power scale.
"Municipality's Profile
The Municipality of Corfu is located at the center of the eastern side of the island of Corfu. It is the oldest municipality on the island and one of the olders in Greece. It was established on January 6th, 1866, after the Unification of the Seven Islands with Greece, but under the present legal status exists since 1912. In 1997 the Municipality of Corfu was characterized "Kapodistriac" and under the new conditions its borders were enlarged to include the communities of Alepou, Evropouli and Kanalia. The Municipality of Corfu includes the urban sectors of: Analipsis, Kanoni, Figareto, Stratia, Gouvia, Kontokali, Kyra Chrisikou, Potamos, Temploni and also the islands of Vido and Lazareto. The Municipality of Corfu is the largest Municipality on the island with about 40,000 inhabitants. It is the administrative, financial and commercial center of the island. In its boundaries are located the main facilities and services like the port, airport, shopping centers, museums, churches (orthodox and catholic), etc, including the great attraction of the "Old Town". It is located between two fortresses, this been the reason that the City of Corfu is the only city in Greece that has been characterized as "KASTROPOLIS". The City Hall is located at the Michael Theotoki Sq. It is a 17th century building, one of the most characteristic examples of Venetian architecture. Its construction began in 1663 and finished 1693. The unknown architect chose local stone from Sinies and gave a splendid renaissance style to the building. The building was made to house the Lodge of the Nobles (Loggia dei Nobili) and later was used as club for the naval officers. But in 1717 was converted in a theatre with a capacity of about 350 and was named San Giacomo, from the Catholic Cathedral that existed nearby. The Corfiot Theater was one of the firsts in Europe that operas were performed. In 1903 the theater was moved in a new building (Municipal Theater) made for that purpose and the site was renovated to house the City Hall. Today the building houses the Mayor's office and also that of the vise-Mayors, the Precedent of the City Council and the financial department. The rest of the municipal departments are located in several other buildings around the city.
Quite apart from their particular importance in the development of the town,
the defense works, the supreme examples of which are the Old and New Fortresses, are in themselves notable examples of the military defensive art and building techniques of their time (from the 15th to the 18th c.). Built by eminent architects and engineers,
they are amongst the finest examples of defensive complexes built in the Mediterranean, their effectiveness well demonstrated by the many occasions on which they withstood Turkish attack.
To construct them, human ingenuity was exploited
to its maximum through art and science, in an organized endeavour on the part of the “mighty and beautiful” to predominate over nature. Mountains were levelled, harbours dredged, islands created, fortification walls
and fortresses erected, and the art of the builder triumphed. As the Venetian senator Nicolo Zeno said,
”The place is exceedingly strong naturally; we have used our art and financial resources to make
it impregnable.
OLD FOTRESS
One of the most distinctive features of the portrait of the town is the two-peak rocky end of the east side which forming an ”island on the island” allows a wide observation field over the sea passage. The imposing Venetian fortifications, which separate the later simple and massive buildings of the English period in three landscaped levels, still remain intact. Access to the town is possible through a 60 m. long iron bridge, which replaced the old drawbridge over the sea moat (contra – fossa), located on the symmetry axis of the west side, between the salients Martinengo (left) and Savorgnan (right). The entrance comprises a central vaulted passageway and two vaulted halls on its sides, while the old wooden matchboarded door as well as the slits for the chains, which were holding the drawbridge, are still to see at the single arched door opening, which is externally formed as a monumental construction. Along the external sea canal, a 22 m. wide dry moat runs, bridged by an arched stone bridge (1603), from where the walls of the main part of the Fortress begin. On this point, an oblong imposing building with visible brick masonry, dated from the English period, stands, while the remaining spaces are accessible through three vaulted passages located at the base of the building. The breast wall of the higher level, in the successive vaulted niches of which one can observe coats of arms belonging to eminent citizens of the Venetian State, stands vertically to the passage. Two stone staircases, standing symmetrically to the passage, lead to the higher level. On the right side lies the open space Versiada with the doric temple of Agios Georgios in the background. On the left side stands an inclined archway leading lower to the dry moat, while on the surface visitors are directed through successive plateaux, small inclined planes and a vaulted arcade towards a small gate of the perimetric walls, to the port of Mandraki, which currently functions as a marina. An underground passage which begins at this point leads to the fortified cape Kavosidero. The highest level of the citadel comprises the two fortified peaks, the Land Tower and the Sea Tower as well as the intermediate area, the Cittadella. The building of the Venetian Prisons, with an additional storey constructed by the English, as well as a large building housing the barracks during the English Rule, which presents a very interesting penthouse arrangement, still survive on the site. From this point on, a narrow uphill walk skirts the rock leading to the entrance of a terraced arcade, once secret, and offers access to the top of the rock, thus revealing magnificent views ofboth the town and the Fortress itself. All Fortress areas are currently accessible (except for the interior of the two entrance salients), thus allowing an extremely interesting tour over open and covered areas of different construction periods, through narrow arcades and passages, and revealing the greatness of the past. The carved Venetian emblems with the marble winged lions of St. Mark, the various inscriptions, the coats of arms and the scattered canons contribute significantlyto the overall portrait. The Old Fortress houses today the Archives of the Prefecture of Corfu, the Public Library’, Offices of the Ministry’ of Culture, Departments of the lonian University, rooms devoted to exhibitions or other events and it operates, in general, as an open air monumental area. In the open spaces of the Fortress (Versiada) music events take place, while there are, also, a cafe, a store selling items of cultural interest and a restaurant in Mandraki.
New Fortress (1578 )
The imposing fortifications
of the New Fortress dominate the north-western part of the Old Town, on the Hill of Agios Markos, above the old port, being thus the western border of the town. Although of smaller size than the Old Fortress, it is in no aspect inferior. Its austere stone volume emerging behind the roofs of the houses balances the complexity of form which characterizes the Old Fortress on the opposite side of the town. Its location on the ring road surrounding the old town ensures a satisfactory degree of road accessibility to the Property. Visitors can reach the Fortress only from a pedestrian precinct through three different routes converging in a point other than any of the old entrances. As a result, the monumental portal of the Port (of equivalent morphology with Porta Nuova and Porta Palio in Verona, both works of M. Sanmicheli) as well as the Portal of the Town do not gain the distinction they should. The New fortress is organised in two levels, the lower and the upper level. Onthe lower level, which includes a pentagonal salient, an additional salient and the little fort of ”Punta Perpetua”, stands an imposing three-storey building with visible brick masonry dating back to the 19th cent., currently in use as a nautical base. The upper level of the fortifications is formed by two salients on the west side, the salients of the ”Seven Winds”. They support a three storey stone building of the tirne of the English Rule (1 854), which thanks to its size and imposing structure, completes the conformation of the Fortress’ volumes in a special way. This important building with its magnificent interior, currently houses rooms devoted to exhibitions as well as a municipal cafeteria. The interior of the salients and forts in almost every corner of the Fortress hides a perplex network of underground arcades, which still remains unknown and inaccessible, although its distinction would promote the overall style of this project. Visitors are offered the opportunity of a pleasant tour through the arcades and passages in all the areas of the Fortress (except for the underground arcades), while,
at the same time, they discover magnificent viewpoints on the fifth view of the town
BY ROAD
Car Athens - Igoumenitsa 500 km (9hrs) Patras - Igoumenitsa 349 km ( 5hrs). Thessalonica - Igoumenitsa 500 km ( 9hrs)
Public Transport Athens
(Bus Station Tel. +30 2105129443), bus stops, Korinth, Patras, Agrinio and Arta. Thessalonica ( Bus station el. +30 210510110), bus stops, Larisa and Ioannina.
More info at www.ktel.org
BY SEA Ferry Boats
( Domestic Lines)
From Igoumenitsa departures are 6 am upto 10pm. In the summer season departures
are on average every quarter of an hour and the duration
is approximately 1 hour 45 minutes. International Lines
to and from ITALY (Patra, Bari, Brindezi, Ancona, Venice) •ANEK LINES •BLUES FERRIES •MINOAN LINES •FRAGLINES FERRIES Departures from Patra to Italy visit the ports of Corfu or Igoumenitsa accordingly, as well as in the opposite journey Italy to Patra. Information is given by the port authorities
of Greece, Corfu
(+30 266103265) Igoumenitsa (+30 2665022235) and Patras (+30 2610341002).
BY AIR Charter Flights
Corfu Airport is connected by chater flights to most european cities. Internal Flights are available by OLYMPIC and AEGEAN Airlines from Athens and Thessaloniki
•Athens OLYMPIC AIRWAYS
Τel. +30 2109616161
or from Ο.Α.
•Corfu OLYMPIC AIRWAYS
Tel. +30 2661038694
•Corfu Airport " Ioannis Kapodistrias"
Tel.+30 2661030180
•Aegean Airlines
| CORFU TRADITIONS and More |
The individuality of the Corfiot cultural heritage, the manners, customs and traditions, are due to the influence of the elements of the Western Civilization on the local Hellenic cultural tradition. The Corfiot, a devoted tradition-adorer up to the point of exaggeration, who emigrates with great reluctance because loves deeply his homeland, participates actively in the observance and the perpetuation of the Corfiot customs, which reach our times unalterable, proving this way the multicultural character of Corfu. The deep religious devotion of the Corfiot is the key element for the continuation of the traditions and customs that concern the religious worship. Since the early days of the Venetian rule the religious ceremonies of both dogmas (Catholic and Orthodox) in Corfu presented the Venetian magnificence and the Byzantine devoutness. The litanies of the shrines of St. Spyridon and of St. Theodora the Empress, the unique ceremonies of the Corfiot Easter with the Epitaphs and the several other customs, the many religious festivals in the city, the suburbs and the countryside, where the devotees participate with religious reverence, testify the uninterrupted relation of the present-day Corfiot traditions with those of the distant past. The continuation of the folkloric traditions and customs of the island through the many local events and the several art festivals (music, dance, etc) which take place all around the year, is assisted by the preservation of the costumery elements (Corfiot folklore dresses), folklore songs and gastronomical traditions. In this way many customs reach our days, like those of Christmas and New-year's Day, those of Epiphany and Ash-Monday, those of Easter, St. John's Day, Transfiguration of the Lord, and the Assumption of Virgin Mary. The traditional Corfiot pottery holds a prominent position and continues its years-old route until today, together with the local stone-curving, wood-curving, weaving, gold-embroidery, and popular architecture. Until today in the Corfiot countryside survive customs of the grape-harvest, the olive-collection and the marriage, interlaced with the Corfiot folklore songs and dances, and the local polyphonic melody. One of the most important places in the local tradition is reserved for the unique Corfiot Carnival, which preserves, until today, many elements from the ancient Greek Dionysiac-Satirical tradition enriched with the recreational customs and habits of the Venetians since the times that they were the rulers of the island.
EASTER IN CORFU
Traditions and celebrations |
Easter, the greatest festivity of the Greek-Orthodox Church, is celebrated with particular reverence all over Greece. In Corfu the festivities of Easter are unique. The Western Civilization's influences are clearly visible even in this mainly Greek-Orthodox festivity. Corfiots call Easter Lambri of Lambria (Bright) expressing this way the symbolic spiritual brightness
of the day. After a long seven-week period devoted to fasting and abstention from any kind of feast, comes Easter, day of happiness,
day of enjoyments. The special local customs, the direct relation of these days with the beginning of spring, show off a uniqueness, which has rendered the Corfiot Easter an attraction with visitors from all over the world. The polyphonic ecclesiastical music (a local particularity) predominates and pours out of the Corfiot churches to the small alleys
of the city and the suburbs. This harmonic melody, a particular quadraphonia, which came from Crete in the 17th century, even today is called "Cretan melody". The Corfiot Easter begins with the religious events of Palm Sunday. At 11.00 in the morning of Palm Sunday, the litany of the Holy Shrine of Saint Spyridon takes place,
a procession which holds since 1630, in commemoration of the deliverance of the island from the spread of the deadly plague, which took the lives
of many Corfiots in 1629.
This litany is the largest in size and length and circumambulates the city on the trail of the old Venetian city-walls, with many stoppages on the way for prayers and entreaties.
It is the only litany that all 18 Philharmonics of the island participate to honor the Patron Saint of Corfu. It is the custom after the end of the litany, all the Philharmonics to parade through the old city center playing cheerful marches. On the same night at 8.30 in the Municipal Theater the concert of the 'Mantzaros' Philharmonic
takes place with solemn music, which introduces us in the mood of the Passion Week. From the next day, Monday before Easter, the Corfiots start shopping for Easter. The sweet smell of 'phogatsa', 'mandolato' and 'colombina' (all local food specialties) is sensed all around the city. In the afternoon the bells of the churches ring to call the congregation for the Service. On Tuesday before Easter the famous Kassiani motet is heard in the churches
and at 9.00 in the evening in the Peristyle of the Old Palace the "Organization of Corfiot Activities" (OKE) stages the Musical and Poetic Night with the theme: "From Golgotha
to Resurrection". In the past, from Wednesday before Easter onwards, the sheeps were brought from the countryside to Sarocco Sq.
to be sold to the Corfiots and to the merchants from Patras. Nowadays, on the same night, at 8.30 the people are filling up the Municipal Theater to hear the Municipal Chorus singing ecclesiastical hymns
of the Passion Week with chorals from the East and the West. On Maundy Thursday the Service of the Holy Passion is attended by the Corfiots in the churches.
In the Catholic Cathedral, Duomo, they light up 12 candles and put out one-at-a-time after the hearing of each of the "12 Gospels". On the same day with the first bell-ring the red Easter-eggs are dyed, eternal symbol of the renewal of life and nature. OnGood Friday before the noon, the churches are crowded with people for the ceremony of the Descent of Christ from the Cross and the circumambulation of the dead Christ on a white sheet in an emotional atmosphere and the funereal ring of the bells. Later, the children run about the neighborhoods asking for flowers for the Epitaph. The decoration of each Epitaph is almost exclusive work of the young girls and towards the noon the Epitaphs are exposed to the faithful
for pilgrimage. Early in the afternoon begins the circumambulation of the Epitaphs on the streets, alleys and squares of the old city and the suburbs. From 2.00
in the afternoon until late at night, tens of Epitaphs will pass around the city and as time passes more Epitaphs gather on the historic center and almost cross each other. Each Epitaph is accompanied by a chorus, a philharmonic, torches, manual lamps, scouolas (guild Patron Saint standards), which during this evening are held sideways indicating the funereal character of the procession. Schools, scouts and groups of little girls carrying baskets full of flowers, which are abundant in Corfu this time
of the year, also accompany each Epitaph. The last Epitaph of the night is at 10.00 and is the impressive Epitaph of Corfu Cathedral. In this Epitaph, the presence of the Holy Clergy, of the Authorities and of thousands of Corfiots and visitors, gives an ecstatic dimension in this mournful night. The 'Old' Philharmonic ('red') performs the Albinoni's Adagio, the 'Mantzaros' Philharmonic ('blue') plays Verdi's Marcia Funebre and the 'Kapodistrias' Philharmonic plays Mariani's Elegia Funebre, also known as Sventura and Chopin's Marche Funebre.
On Holy Saturday at 6.00 in the morning the artificial earthquake is a custom of the church of Virgin Mary of 'Xenon'. It takes place just after the 'Apostle' and is a reenactment of the earthquake that is described in the Gospel as a consequential triumphal even of the Resurrection of Christ. At 9.00 in the morning of the same day the devout circumambulation of the Epitaph of Saint Spyridon's church takes place. In 1574 the Venetian authorities prohibited, for security reasons, all the Epitaphs on Good Friday. Thus the Corfiots circumambulated the Epitaph of Saint Spyridon's church together with the Shrine of the Saint during the Holy Saturday litany, which was an already established tradition and could not easily be prohibited. The Patron Saint in this litany takes the place of Titular Bishop and the Epitaph follows. This litany is the oldest and the most impressive of all litanies of the Patron Saint of Corfu. It holds since 1550 in commemoration of the miracle of the Saint, which saved the island from starvation. The procession moves to the slow funereal rhythm of the three Philharmonics of the city. The 'old' Philharmonic plays Faccio's 'Amlet', the 'Mantzaros' Philharmonic plays Micheli's 'Calde Lacrime' (Hot Tears) and the 'Kapodistrias' Philharmonic plays 'Marcia Funebre' from Beethoven's Heroica. After the end of the litany the Shrine of Saint Spyridon will remain on the church for a three-day pilgrimage At 11.00 in the morning of the same day the people are expecting the so-called 'First Resurrection'. After the morning Mass the bells ring joyfully and from the windows and balconies of the houses thousands of full of water clay pots are dropped on the streets. This custom is connected with the Gospels, but is also a Venetian influence, who used to throw from their windows old pots and old objects on New-year's day, expecting new things to be brought by the new year. The Corfiots adopted this custom, but changed the date to Easter, the greatest Greek feast, and clay pots replaced the old objects. Another interpretation of this event suggests that the custom is pagan. Easter is occurring at the beginning of the new floral year, the nature awakes from hibernation and the fruits are collected in new pots, while the old ones are thrown away. After the dropping of the clay pots, the Philharmonics are marching on the streets of the historic center of the city playing allegro marches In 'Pinia' the commercial center of the old city, the "Organization of Corfiot Activities" (OKE) has revived the old custom of 'Mastela'. At the old times the 'piniatores' i.e. the porters of the city, used to place on that spot an open barrel full of water. They decorated the barrel with myrtles and colorful ribbons, and spread around the place, were asking the passers-by to cast a make-wish coin in the barrel. At the time of the 'First Resurrection' they were chasing an unsuspecting passer-by to throw him in the barrel. The soaked to the skin Corfiot sprinkled from the barrel the watchers and at the end came out with joy and laughter with all the coins gathered at the bottom of the barrel. On Easter night the Catholic Mass of the Resurrection takes place in Duomo with the accompaniment of the ecclesiastical organ. The Service ends at about 11.00 p.m. so that the congregation can be present at the Orthodox Resurrection. The Orthodox Resurrection Service takes place at the kiosk of the 'Pano Platia'. The Bishop, the Authorities, the Philharmonics and thousands of people are present. Phantasmagoric and unique spectacle is the sight of thousands of candles on the balconies, the windows and the hands of the people that follow the Service that night, on the biggest square of Greece. The Resurrection of Christ is celebrated at 12.00 sharp with drumbeats and fireworks. As soon as the Service is finished the Philharmonics march around the city playing cheerful marches and the people follow behind them singing and wishing each other. Easter in Pano Platia The Corfiot Easter feast has just began and will last until the morning with 'tsilihourda' (local soup with minced lamb-tripe), red eggs, fogatsa, colombines (Venetian origin Easter cakes that look like pigeons) and lots of wine. The island is set on fire breaking the fasting and celebrating the Resurrection of our Lord. OnEaster morning every church circumambulates the icon of the Resurrection of Christ on the streets of Corfu and suburbs, in the same manner as the Epitaphs. On the same day each year from 11.30 a.m. onwards, the Naval Station of Corfu in the New Fortress, is open to the public with feasts, local dancing and rich tidbits. In Corfu the traditional menu of the first day of Easter is different from the rest of Greece. On Easter the Corfiots eat egg-lemon soup, made of 2-3 different kinds of meat, and leave the traditional roast lamb on the spit for Easter Monday. This has the explanation that the stomach is weakened by the long period of fasting and a soup will help it to recover. On the same afternoon all the Corfiots go to the church for the so-called 'Service of Love', were the priest embraces and kisses the entire congregation and the congregation returns the reverence by holding and kissing the Gospel and the hand of the priest In the past, Easter carols were sung from door to door, but nowadays the custom has been extinct. With solemnity take place at 6.00 p.m. in Garitsa the litany of the icon of the Resurrection of Christ and at the same time in Potamos the litany of the icon of the Resurrection takes place, together with the icon of Virgin Mary Dimosiana. On Easter Monday, in nearly all Corfiot countryside, litanies of the icon of the Resurrected Christ take place, which pass through the rural areas and the villages and last from one to three hours. On Tuesday after Easter at 5.00 p.m. at the church of Saint Spyridon, the Patron Saint of Corfu is set back in his Urn after a three-day pilgrimage The Easter Week of the Corfiot Easter ends with the feast-pilgrimage on Friday after Easter at the Paleokastritsa monastery, which is the first religious feast of the Corfiot summer
Greece 2010
official holidays
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1/1, 6/1, 25/3,
2/4, 4/4(Easter )
1/5, 15/8,
26/10
(only in Thessaloniki)
28/10, 25/12, 26/12
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